Hello, everyone!
This is Renee GueriWelcome back and I hope you all enjoyed the holiday season. My break had been a bit busy on the hunt for identification of the exact pigments and materials I wanted to buy. Since the goal of my thesis is looking at materiality, for the handmade pigments for the historical egg tempera paint, I wanted to make sure I chose reputable, quality-focused materials. I ended up using the website Natural Pigments because of the good reviews and summarization of their materials and sourcing. Additionally, I needed dried form animal glue as well to create the primer and gesso layer, so I bought 100g of fish and rabbit skin glue from Kremer Pigmente, as I have purchased materials from this site before and trust the quality it produced for past projects in bookbinding and on substrates like parchment. Now, it is a waiting game to see how long the materials take to come in!
One of my main adventures that occurred during break was going to the local Lowes to find an oak panel as my painting substrate. My father came along to help as he has decades of woodworking experience, and can more easily identify good types of wood. We looked at a few samples, but I ended up going with a double sided, oak panel that had other layers of softwoods in between them as it was a sturdy, and affordable option, and is the same type of material as the original piece I will be referencing in my recreation. What I need to do now is sand the edges and cut the entire board to size. I am planning on doing a double sided painting with the different types of tempera in order to keep things precise and in order; when I initially cut the wood after the final painting is done to section them for exposure to certain agents of deterioration, I will create a labeling section to make sure pieces don’t get flipped around or misplaced.
Finally, I finished gridding the piece of my recreation, The Vision of Saint Eustace by Pisanello, digitally and outlined everything into sections, and used this reference for my large scale drawing I first completed on tracing paper to later be transferred onto the gessoed and cut oak board. I’m very excited to begin the actual painting process, as I know it will take me a long time since I am doing it to scale, and am doing either two to three paintings, depending on my revisions and time constraints I decide on. This is all the updates for now! Very enthusiastic to keep on pushing this semester. Good luck to my fellow peers as well!