Post #3: And Lo, The Mist Took the Form of a Statement of Topic

For my thesis, I will research how Western museum's practices and ideas have influenced non-Western museums. Practices include curation, exhibition design, interpretation, education, architectural design, and administration. Ideas include, but are not limited to, valuation of art, selection of subject matter, judgement of what is appropriate to be preserved or accessioned, and what should be displayed and how. "Ideas" is essentially an exploration of the ideologies behind the "practices," or what leads to the practices. The anticipated themes are colonialism, imperialism, globalization, Western paternalism, decolonization, and national identity.

My research question is, "How have the practices, standards, and traditions of Euro-American, or Western, museums influenced those of non-Western museums, and how can non-Western museums deconstruct those influences?" I define non-Western museums as those operated in countries in which the majority of the population is not of predominantly European ancestry. In order to narrow the scope of my research, I will select one non-Western museum to use as a case study, although I will also examine larger global trends and trends within the country that the case institution is located in. The museum's staff and administration should largely consist of people of color who are native to the country.

Post #2: A Thesis is Conceived

Hello everyone,

I will be doing a research-based thesis on a socio-political topic, as it relates to museums. I decided to focus on this area because it is important for us to deconstruct the power structures that pervade our cultural institutions.

As of right now, I am pursuing the topic of how the practices of Euro-American museums influence those of non-Western museums. Specifically, I want to explore if or how imperialism and colonialism transmitted ideas about artistic ideals, curation, exhibition design, and administration. I was inspired to do this topic by reading about the Louvre Abu Dhabi, which seems to be greatly influenced by French art museums. So far, I have found a few sources that focus on African museums, specifically Nigerian ones. I will try to narrow my scope to a case study of one museum, and if I cannot do that, to one country.

The first topic I considered was, "How are museums sometimes used to legitimize government"? If the first topic doesn't work out, I will switch back to this one. I would explore the tactics governments use to endorse themselves through museums, including themes about propaganda, curation by elites, and financial influence.