Heavy Metal culture is a lot more expansive than I expected previously. The subculture of Heavy Metal has grown exponentially since its incarnation in the late 1960's. The name "Heavy Metal" and the distinct sound of the music has its origins in the steel and metal working industries in Britain. The development of the scene and the community has also been a rocky and long winded journey in and of itself. There are distinct differences in the European and American metal communities and how they hold festivals and their presentation of Heavy Metal in everyday culture.
What I still need to know is more inner workings in how festivals are held and how that affects the communities and towns around them. I am also looking into correlations on the environments of the cities and towns Heavy Metal originated in. Also putting more research into current scholarship and exhibitions done on the genre and its history.
The research has been a lot of fun to do and I'm having a great time discovering more about the community and music I love so much.
Fig 1. Rob Halford and Ozzy Osbourne, two of the original members of the bands Judas Priest and Black Sabbath. Link to photo origin
This page is the home of Museum Studies student research @ Rochester Institute of Technology in Rochester, NY. The primary purpose is senior thesis research though students in methods and other classes are welcome to post. Established Spring 2015. All are welcome to contribute!
Showing posts with label #blacksabbath. Show all posts
Showing posts with label #blacksabbath. Show all posts
Friday, November 9, 2018
Friday, October 5, 2018
A new challenge!
So, my thesis topic has changed and I will be focusing on something new.
My topic will be focusing on the impact of Heavy Metal (the music not actual heavy metals) on Cultural Heritage and Tourism and how museums can be used in the process. I've seen a lot of work on how Cultural Heritage has impacted the Metal subgenre but not much about the other way around. Since it's introduction in the mid 1960's the music and scene has become a cultural phenomenon around the world. Because of this certain sites focused around metal and its history have gained popularity and have become prime tourist spots in different countries. Also to help sustain tourism European open air festivals have been put in areas where there often is little to no tourism, bringing in thousands of people from around the world to one location. Also how Heavy Metal has become known as cultural heritage in different areas. Looking into a museum in Birmingham United Kingdom and a restaurant in Chicago Illinois and how they have turned Heavy Metal into Cultural Heritage.
My topic will be focusing on the impact of Heavy Metal (the music not actual heavy metals) on Cultural Heritage and Tourism and how museums can be used in the process. I've seen a lot of work on how Cultural Heritage has impacted the Metal subgenre but not much about the other way around. Since it's introduction in the mid 1960's the music and scene has become a cultural phenomenon around the world. Because of this certain sites focused around metal and its history have gained popularity and have become prime tourist spots in different countries. Also to help sustain tourism European open air festivals have been put in areas where there often is little to no tourism, bringing in thousands of people from around the world to one location. Also how Heavy Metal has become known as cultural heritage in different areas. Looking into a museum in Birmingham United Kingdom and a restaurant in Chicago Illinois and how they have turned Heavy Metal into Cultural Heritage.
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