Hi everyone!
I'm Rain, I'm an Anthropology and Museum Studies double major. I am doing my thesis on graphic communication as a form of resistance, with most of the focus likely being on North America and the Caribbean in the 19th-21st centuries. I came into MUSE-489 with a rough idea (and it very much still is) for my thesis that I was very passionate about doing and can't picture myself doing anything else. I feel very strongly about this topic because I believe that it would allow me to bring my majors together, through my love for research, in a way that also connects with my interests in bottom-up history and politics generally, which has followed me my whole life despite the amount of frustration it causes. The goal of this project is to understand how have ordinary people across North America and its margins have used forms of graphic communication as a way to resist oppression, express emotions, and exert agency over their own lives in times when they have felt powerless, divided, or outright ignored, and what lessons can we learn from these people to better convey our messages in a time where many feel the same? A few of the topics I would personally like to explore are poster art in post-revolution Cuba, anti-war art in the U.S. and Canada, Labor Union prints (specifically those of the Industrial Workers of the World), and I would like to incorporate anecdotal graphic communication (e.g. Diaries) as an example of resistance against manipulation of legacy, because resistance isn't always about resisting a tangible thing.
This page is the home of Museum Studies student research @ Rochester Institute of Technology in Rochester, NY. The primary purpose is senior thesis research though students in methods and other classes are welcome to post. Established Spring 2015. All are welcome to contribute!
Thursday, August 28, 2025
Thesis Introduction :)
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What an interesting and unique topic! Its great that the topic is so important to you. This will definitely help you continue with your thesis. Also, I encourage you to pick a few groups or mediums of work. You kind of already did that though! Can't wait to see what you do!
ReplyDeleteRain, I am inspired by this description of your work, especially given the way in which my own exhibition work has dovetailed with democracy and commemoration, as well as resistance. I am interested in knowing how your theme will dovetail with GLAMR. Will you focus on particular collections, or will you prepare a lit review and history that could be adopted into an exhibition precis? Keep going!
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