Friday, October 28, 2016

My Current Thesis Topic Ideas

Originally, I was going to tackle the question of how museums and cultural institutions interact with contemporary social movements such as Black Lives Matter, Free the Nipple, and issues involving the hijab as well as the representation of Muslim Americans in popular media (juxtaposed with the museological representation(s) of these people currently being exhibited or having been exhibited in the past). I wanted to focus upon the Rochester area, due to its history of tumultuous race relations, revolt, and large African American population as well as the international and interracial student population at RIT providing a wide breadth of demographics for surveys/interviews. In other words, I initially wanted to explore both how museums and cultural institutions in Rochester, NY (and the surrounding suburbs) meaningfully interact with contemporary social movements, what it means to interact meaningfully with these social movements (both from the museum professional perspective and that of those personally involved with the social movements being examined), and how museums may foster more intimate and powerful connections with local communities via interacting with relevant social movements.

However, after looking at myself and my interests I have decided to move my tentative topic in a more environmentally conscious direction: how are museums and cultural institutions interpreting and educating the public in regards to climate change? Are museums and cultural institutions able to leave visitors with valuable knowledge about their climate, environment, and the preservation of not only museum objects but objects that they use in their daily lives? Do museums meaningfully convey the importance of developing new modes of energy generation, an awareness of the drastic effects that humans have on their surroundings, or are visitor made aware that climate change affects their lives (and their futures) every second of every day? These questions, along with analyzing and critically examining how museums directly devoted to environmental issues such as proposed The Climate Museum of New York City have impacted both their local and global communities. Namely, how does The Climate Museum intend to encourage discussion as well as engagement with the topics at hand? Is that discussion meaningful enough to spur actual changes in people's lives? Have visitors outside of New York City (residents of other large New York cities such as Rochester) heard of the The Climate Museum or engaged with topics concerning climate change through local institutions' exhibitions, objects, or community outreach programming? How do local Rochesterian museum professionals attempt to engage the public with discussion involving climate change? Does the public find these engagements successful and do these museum professionals find their methods of engaging with said public successful?

I hope to answer these questions or at least suggest methods of best practices following interviews and surveys with both the staff/leading figures of The Climate Museum, the Rochester Museum and Science Center (RMSC), The George Eastman Museum (GEM), and other relevant local institutions (such as colleges/universities like RIT and the University of Rochester). Climate change and environmental degradation are ongoing, unstoppable issues that directly effect both the present and future of humanity: I hope to ascertain that this reality is both understood by and guides museum programming in a way which promotes active thinking and lifestyle changes within their local and global audiences.

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